In 1936, John Steinbeck was deep into a new novel.
He was already a successful author, but the
book he was working on mattered. What would eventually become Of Mice
and Men was taking shape slowly, line by line.
Then Steinbeck came home one night to what he
later called a “minor tragedy.”
His Irish Setter puppy, Toby, had shredded the
manuscript.
“Made confetti of about half of my
manuscript,” Steinbeck wrote. Two months of work were gone. There was no carbon
copy. No second draft. The pages were simply destroyed.
Steinbeck was furious. When he got over it, he
rewrote the book from the beginning.
The loss didn’t end the novel. It delayed
it—maybe made it better. When Of Mice and Men was published
the following year, it became one of the most enduring works of American
literature.
Toby’s edits didn’t survive. The story did.
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